she will not imply being inside and both hanging on desperately and
regarding her own presence.
With acute not knowing, when
they might have might; physical
strain released might be turned out turned
out to being there’s a begins; use of deictics,
to go and be singular
to go and be singular and yet, singularized
—facing formal considerations, discursive resonance, she has to keep
writing
rather than imply being inside and both
the writer and the time
inside is push-held in first person congruence
of the writer here. I. deictics
II. I deictics of the writer more than anything else. As much
as anything else.
Merciless storied.
set in by an outside so far.
You could be forgotten.
remember this is;
warns might furthest so far might never come
out hangings on between what is in and out
the all-too act of doing this time. Too frequent t n e u q e r f o t.
set by
you could be forgotten, remember.
when knowing when the where might speak when when might speak on
the inside. Released physical strain invariably speaks thou.
when knowing when one might, on the inside release physical strain
projects.
Do you know what I mean?
She has to keep in the wake of the acute no-ness of how long;
they will
how deeply one’s sense of having or being when invariably projected.
Stance changes to project.
When on the measure how deeply one becomes
in places the furthest so far might never.
prompt
Note to open with words but to sing and singularize.
That visitor would have experience, the kind of thinking processes she
processes she processes
collects several to go with certainty, no
small part in order
has turned from irony to the most common deno
minatory denotory connation—to go with
several she goes on projecting social withness and the express sense in
occupies to go and be singular
—how long
how long will be kept on the inside by definition
to be
to begin invaded the frequent
est stance / stint regarding remembering these merciless stories a:
suspicion of measures b: of hows when they might have might
might turn out to be prominent in the use of deictics and the way she
erases her own physic
reality in order for the physical withness to response with certainty; to
note open with words.
She will not could not
with several words
go and sing be ingular.