Quiet Project
I have a quiet project
that begins once the car
points homeward. I turn down
the stereo, letting
the winds talk to me
over the strata of factory
stacks, over the underpass
squatters who flash
their tired faces when-
ever the Canadas fly. Into the gray
winter sky they cut their jagged Vs,
so gorgeous is their work
to reach the warmth
limned on the day’s horizon.
I scan the river bank
where the water crumbles
the dun-colored dirt, when the water
carries the city
reflected there no-
where, and that’s why
I think of houses,
the old ones busied with a dust
on the empty mantles.
The eye has a quiet project
that has everything
to do with joy and nothing
to do with cables. I think Westward,
flatboat, or purple mountains
soundlessly and just as fast.
The quiet is the kind gained
and lost in routine. A falling
out of love and in again,
a looking too much or too little. I lose
the quiet until the bridge’s cold blue
high blank curved steel
lifts the whole
heart-driven world—
or at least every last
one of us
who will listen—
up out of ear-
shot of the frozen river.
Posted 08/18/11
This poem originally appeared in the Spring 2011 issue of The National Poetry Review.